Deena Larsen, Disappearing Rain (2001).Michael Mateas and Andrew Stern “Façade” (2005).Donna Leishman, The Possession of Christian Shaw (2003)Īlso, interactive storytelling is called interactive drama.
As the development of technology including sound, graphic and mass storage media, it became harder to recognize difference between interactive fiction and computer game. It allows readers to choose their preference and to. It can be distinguished from hyptertext fiction in terms of the game elements. Interactive fiction is real-time storytelling format reacting to input from players.
Talan Memmott, Lexia to Perplexia (2000).Judd Morrissey in collaboration with Lori Talley, The Jew’s Daughter, ELC 1 and (2000).Stuart Moulthrop, Reagan Library (1999).Caitlin Fisher, These Waves of Girls (2001).Scott Rettberg and William Gillespie ” Kerouac’s On the Road”.Scott Rettberg, William Gillespie, and Dirk Stratton, “The Unknown (1998).Shelley Jackson “Patchwork Girl” (1995).Stuart Moulthrop “Victory Garden” (1995).Michael Joyce “afternoon: a story” (1990).Some works were published as a CD-ROM book. The latter became diverse as the development multimedia repository. The later seems more “contemporary or postmodern”. According to her, first-generation “classical” works includes hypertext fiction as seen above.
Hayles divided 20th century’s electronic literature into “first-generation” and “second-generation,” with the break coming around 1995.
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